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creating cosmic soundscapes of intermission that rise unassumingly into new assaults of sound and spectral vocal narratives
she essays not just the sadness of heartbreak
It allowed Liau to create slowly evolving textures and sounds with complex dynamics
Issued at the height of the band's popularity
In addition to renditions of Dean Dillon and Linda Hargrove's "Tennessee Whiskey" and Don Sampson's "Was It 26
Party Beats TSOV-148 creating cosmic soundscapes of intermission
